Cm/G Guitar Chord

Cm/G is the second inversion of Cm, built from G, C, Eb with G as the lowest sounding note. It contains the same pitches as Cm. The slash notation specifies that G sounds in the bass instead of the root. It places G in the bass under C minor, using the low E string at fret 3. The G bass connects directly to Gm or G major (bass holds at 43) or steps down to F(41) in descending progressions, making Cm/G effective in G minor, Bb major, and Eb major contexts.

4 ways to play Cm/G

3423Fret 3
34213Fret 3
15Fret 5
348Fret 8

Notes

GCEb

Intervals

G (Bass Note), C (Chord Tone), Eb (Chord Tone)

Notes in the Cm/G Chord

Cm/G is the second inversion of Cm. It contains 3 notes: G, C, Eb. These are the same pitches as Cm, but with G as the lowest sounding note. Because the notes are identical to Cm, Cm/G carries the same harmonic colour. The distinction lies in the bass: changing which note sits lowest reshapes the voicing and enables smoother bass-line movement between chords.

What Does Cm/G Mean?

In chord notation, a slash chord is written as Chord/Bass — the letter before the slash is the chord to play, and the letter after the slash is the specific note that should sound as the lowest pitch. For Cm/G, this means: play Cm with G in the bass.

Because G is the fifth of Cm, Cm/G is specifically called the second inversion of Cm. An inversion does not change the notes in the chord. It only changes which note sits at the bottom, which affects how the chord sounds in context and how smoothly it connects to the chords around it.

Guitarists use slash chords primarily for smooth bass-line movement. Instead of the bass jumping from root to root between chords, a well-placed slash chord creates a stepwise (scale-like) bass line that makes a progression feel connected and natural. This technique is borrowed from classical voice leading and is used across every genre of modern music.

Keys That Contain Cm/G

Cm (the chord above the slash) is a diatonic chord in these keys. Cm/G can be used in any context where Cm naturally appears:

Common Uses of Cm/G in Progressions

Cm/G is most often used as a passing chord rather than an opening or closing chord. It appears between root-position chords to create a stepwise bass line:

Gm → Cm/G → DmG bass sustains through Gm and Cm/G before rising to D(50) in G minor
Bb → Cm/G → GBass descends from Bb(46) to G(43) under Cm/G and holds through the tonic G chord
Fm → Cm/G → GBass rises from F(41) to G(43) with Cm/G leading to G major in G minor

Use our chords in a key tool to find all the chords that naturally appear alongside Cm in any key.

Frequently Asked Questions

What does Cm/G mean?

Cm/G is a slash chord — it means: play Cm with G as the lowest note. The letter before the slash (Cm) is the chord quality, and the letter after the slash (G) is the bass note. Cm/G is the second inversion of Cm.

Is Cm/G the same as Cm?

Cm/G and Cm contain exactly the same notes: G, C, Eb. The difference is which note sounds lowest. In Cm, the root (C) is in the bass. In Cm/G, G is in the bass instead. This creates a different voicing and a smoother bass line in progressions.

How do you play Cm/G on guitar?

Place your fingers according to the chord diagram above. The goal is to ensure G sounds as the lowest note — on guitar this typically means either playing G on the lowest string used, or muting any lower strings that don't contribute to the voicing. The "X" symbols in the diagram show which strings to mute.

What key is Cm/G in?

Cm/G appears in the same keys as Cm: Ab Major, Eb Major, Bb Major. It functions as an inversion of Cm within those keys rather than as a separate chord — it shares the same harmonic function, just with a different bass note.

Other C Chords

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